Hand Burnishing Edges on Vegetable-Tanned Leather
Friction, moisture and pressure close the raw edge of vegetable-tanned leather. What each pass does to the fibers, and when edge paint is the better call.
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Friction, moisture and pressure close the raw edge of vegetable-tanned leather. What each pass does to the fibers, and when edge paint is the better call.
A saddle stitch can only be as straight as the holes under it. How to mark, punch and check stitch holes in thick English bridle leather, start to finish.
Waxy, thick, stiff and slow to soften. A briefcase maker’s opinion on why bridle leather is a hard first leather, and why he still would not cut anything else.
Thickness first, then the hand, then the flesh side, then the marks. A briefcase maker on reading a leather bend at the rack, and why a spotless one can lie.
A card slot carries a card. A handle carries the whole case. A maker on when a beginner should trust a saddle stitch and when a rivet is the sounder joint.
London’s leather trades split into separate guilds six centuries ago. The divide between fine work and load-bearing work still shapes how leather goods are made.